Sunday, 8 September 2019

Once Upon a Time

Starsky & Hutch - the early years
I went to the pictures on Friday. I saw Quentin Tarantino's latest, his 9th apparently, Once Upon a Time in Hollywood. Whilst it may not be his best offering (I know what mine is, what's yours?), at 161 minutes it must be one of his longest. Of course size isn't everything, but I was completely immersed in Tarantino's portrayal of 1969 California from the get go and never looked at my watch once.


Whilst my cinematic knowledge may not be encyclopaedic, I think I can say with some level of certainty that this is the first time Brad Pitt and Leonardo DiCaprio have been paired together on the big screen. And what a double act. The insecurity of DiCaprio's Rick Dalton, a struggling Hollywood actor, against his more bullish stunt double Cliff Booth (Pitt), is played out superbly.
When I heard it was a comedy drama that touched on the Sharon Tate story of 50 years ago I worried where this film may be headed. I needn't have worried. I won't give anyrging away here, but the version of events you see in Once Upon a Time is purely stand alone; as are the 'cameos' of other non fictional characters in this work of semi-fiction. The fight scene, for instance, with Bruce Lee on the lot is one of the funniest things I've seen in a long time - I think the Lee estate would be more up in arms than Tate's, that's for sure.
As for the soundtrack, it's precisely what a Tarantino soundtrack should be. It fits like a hand in glove. And whilst the selection appear effortless, random even, you just know it was sewn together with a surgeon like precision. Where else would you find Deep Purple segueing into Neil Diamond?

Neil Diamond - Brother Love's Travelling Salvation Show (1969)


The ending, then, takes us somewhere completely different to that seemingly telegraphed earlier in the movie (very much in keeping with Tarantino's skill of misdirection) and is, er, executed quite brilliantly. It really is extraordinary what some people keep in their shed. 8/10

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